Can't remember where i first heard her name but her work has stuck with me for awhile. I shared this with my wife who was a Mills student and was actually a student of hers. she remembers hung saying to use more paint:)
Hung was born in China in 1948 and has been painting since the 60s. As she was becoming an adult the cultural revolution happened in China. A revolution in my household growing up, but not necessarily seen with happiness for all. Hung described being forced to work in the fields 1965-72. In between she'd sneak in a drawing, photo, or painting here and there. In the late 70s after Mao's death she got to study in Beijing's Central Academy of Fine Arts. She was first trained as a muralist and I think thats one of the things that made me gravitate to her work. She tries to bounce to the US, gets into a a San Diego school, waits 4 years for a visa to clear, then in 84 starts her study in the US. She lives and teaches in Texas before coming to the Bay where she gets into the Capp Street Project. 1990 she gets offered a teaching position at Mills College and is still in the town.
In her career she has exhibited in solo and group shows since 1978. She has done large public artworks and murals like the one in the Oakland airport. She paints big with juicy drips and her style is a mix of realistic portraiture, and some abstraction. And I dig it. Her use of old photos, calligraphy, found objects, etc. I see workers, everyday life, pain, resistance, freedom to travel, freedom to express, immigrants, preserving history and memory, etc. And it feels like she's just getting started. Check out her work, once you do you get my choice of imagery here.
Sources: Summoning Ghosts, Kqed, SF Moma, Hungliu.com
Did you catch the last piece I did of muralist Priya Handa? Stay tuned for the next piece featuring Aapi artists for 2021.